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---
description: The agency’s roster separates subscribers from estimated views. That distinction requires turning a creator’s prominence into a commercial offer with a specific objective.
title: TuManag3r: campaign pricing starts with the audience that can buy
image: https://elacelerador.es/images/social/v1/tumanag3r-campaign-pricing-starts-audience-can-buy-20fdb9713c1021dafe6d0d80b4cf2e4d.jpg
---

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# TuManag3r: campaign pricing starts with the audience that can buy

The agency’s roster separates subscribers from estimated views. That distinction requires turning a creator’s prominence into a commercial offer with a specific objective.

By [Marian Vasile](https://elacelerador.es/en/author/marian-vasile/) 13 October 2026 at 08:51 CEST 4 min read [ Add as preferred source ](https://www.google.com/preferences/source?q=elacelerador.es&utm%5Fsource=elacelerador.es&utm%5Fcampaign=elacelerador.es) 

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![A video camera on a tripod points toward several people in a room.](https://elacelerador.es/images/variants/v1/tumanag3r-campaign-pricing-starts-audience-can-buy-video-camera-tripod-points-toward-w1280.webp) 

 Recording an interview in India, 2006\. Context photograph about video production; it does not document a TuManag3r campaign. Framing adapted. Photo: [Fredericknoronha · CC BY-SA 4.0](https://commons.wikimedia.org/wiki/File:Video%5Frecording%5Fof%5Fan%5Finterview.%5FIndia.jpg?utm%5Fsource=elacelerador.es&utm%5Fcampaign=elacelerador.es) 

**In this report** 

1. [Creator investment differs from social advertising](#article-section-creator-investment-differs-from-social-advertising)
2. [A creator relationship differs from redistribution and purchasing](#article-section-a-creator-relationship-differs-from-redistribution-and-purchasing)
3. [The same objective must survive the final report](#article-section-the-same-objective-must-survive-the-final-report)

2 figures 
* [Spain 2025: digital investment in three content and distribution categories](#article-figure-1)
* [Spain: stated actions involving creators and companies](#article-figure-2)

[Download data (CSV)](https://elacelerador.es/en/download.csv?article=%2Fen%2Fcases-and-research%2Ftumanag3r-campaign-pricing-audience-can-buy%2F) 

Chart values, table cells, source references and the report revision date.

Fargan’s entry in TuManag3r’s roster  displays six million subscribers and 80,000 estimated views. These describe different objects: accumulated community and estimated exposure. Period and method are not shown beside the figures; dividing them does not produce a performance rate, and neither identifies a brand’s buyers. 

That detail identifies the agency’s commercial task: turning a familiar name into a campaign unit an advertiser can evaluate. Price, format and commitment depend on eligible audiences for the offer, rather than community size alone. 

## Creator investment differs from social advertising 

IAB Spain and PwC’s 2025 digital-investment study recorded by Statista estimates €158.4 million in influencers, compared with €1,832.5 million in social and €115.5 million in branded content. This is nominal spending by market category, rather than TuManag3r revenue, creator prices or campaign profitability. 

The data behind the story 

### Spain 2025: digital investment in three content and distribution categories

Nominal IAB Spain and PwC estimates, results report published in 2026.

 Estimated investment 

million EUR

Tap or hover for details. All values are also available in the data table.

Expand notesCollapse notes 

**Sources:** Statista; IAB Spain / PwC: original Results 2025 report, public MarketingNews mirror, p. 4–8 and 13

IAB Spain / PwC / Statista. Original p. 13 confirms values and p. 4–8 the controlled 78-participant panel, econometric estimation and calibration. These study categories are not converted into an agency share or presumed equivalent costs or exposure. Estimated 2025 results, rather than 2026 forecasts.

Explore the data table 

Scroll left or right to see all columns 

__Spain 2025: digital investment in three content and distribution categories (million EUR)__
| Category        | Estimated investment |
| --------------- | -------------------- |
| Social          | 1,832.5 million EUR  |
| Influencers     | 158.4 million EUR    |
| Branded content | 115.5 million EUR    |

Buying ad distribution and commissioning creator content do not guarantee the same inventory, duration or reuse options. Budget comparisons preserve those conditions. Part of the price can fund production and rights; another part publication to a community. Without separating them, follower-based price comparisons conceal the purchase. 

The TuManag3r 360º offer  combines strategy, selection, contracts and monitoring through an in-house CRM, according to the agency. That scope supports agreements organized around content, timing and use instead of popularity rankings. 

## A creator relationship differs from redistribution and purchasing 

Statista Consumer Insights reports that 34% of Spanish respondents liked creator posts or followed creators, 17% shared creator posts and 12% shared company posts during the four weeks preceding each interview. These are stated actions by internet users aged 18–64 interviewed between July 2024 and June 2025\. The first option combines two actions; it cannot identify people exclusively following a creator. 

The data behind the story 

### Spain: stated actions involving creators and companies

Last four weeks of each interview, fieldwork July 2024–June 2025.

 Reports the action 

Tap or hover for details. All values are also available in the data table.

Expand notesCollapse notes 

**Source:** Statista

Statista Consumer Insights, N 13,006 internet users aged 18–64, multiple answers. Observed series despite forecasts in the URL. Like/follow is a combined item, neither separated nor added to sharing. Not platform logs, advertising exposure, TuManag3r audience or purchase probability. Population differs from the IAB/PwC investment panel.

Explore the data table 

Scroll left or right to see all columns 

__Spain: stated actions involving creators and companies (%)__
| Category                                | Reports the action |
| --------------------------------------- | ------------------ |
| Likes creator posts or follows creators | 34.0%              |
| Shares creator posts                    | 17.0%              |
| Shares company posts                    | 12.0%              |

For an advertiser selling in Spain, the next question is which audience members can buy or receive the product there. Geography, eligibility and need precede projected response. An international community can create broad visibility and relatively few eligible buyers without contradicting its value for another objective. 

The piece’s function also changes. Video integrations use existing creator-viewer relationships; offer-focused posts concentrate explanation and action. Agreements preserve the distinction and specify deliverables, revisions, timing, duration and reuse rights. 

## The same objective must survive the final report 

When the agreement seeks demonstration requests, views remain exposure while requests describe another action. Replacing the objective afterward with the largest figure prevents learning which part of the offer worked. Evaluation retains definitions, period, costs and valid records, including outcomes not yet mature. 

Links and codes identify some responses, rather than all influence. Someone may return through another route or use a code circulated outside the piece. Rule-based attributed responses are not automatically additional sales caused by a creator. Campaign renewal distinguishes observation from effects still requiring evidence. 

Clarity can reduce renegotiation of expectations without guaranteeing quantified savings. It preserves creators’ room for content compatible with their communities and lets brands compare further collaborations under the same commitment or change it explicitly. The roster opens conversations. Commercial continuity is earned when exposure, rights and intended results retain the same meaning before and after publication. 

[Back to top ↑](#article-top) 

## In this article

### Sources and documents

* [TuManag3r: public creator roster](https://tumanag3r.com/influencer/?utm%5Fsource=elacelerador.es&utm%5Fcampaign=elacelerador.es) · tumanag3r.com
* [TuManag3r 360º: campaign selection, contracting and reporting](https://tumanag3r.com/marcas/tumanag3r-360/?utm%5Fsource=elacelerador.es&utm%5Fcampaign=elacelerador.es) · tumanag3r.com
* Statista
* [IAB Spain / PwC: original Results 2025 report, public MarketingNews mirror, p. 4–8 and 13](https://www.marketingnews.es/siteresources/files/1870/28.pdf?utm%5Fsource=elacelerador.es&utm%5Fcampaign=elacelerador.es) · IAB Spain / PwC

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About the author

## [Marian Vasile](https://elacelerador.es/en/author/marian-vasile/)

Marian Vasile is a MarTech and growth professional. His work spans product marketing, SEO, paid advertising and deep online tracking, including behavioral analytics and attribution.

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**In this report** 

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